The Appointment by Herta Müller

As my faithful readers know, I always read the major prize-winners when announced. As is the case with most recent Nobel Prize awardees, I had never heard of Herta Müller. At first I thought, well yes, Eastern Europe before the collapse of the Soviet Union – secret police, long lines and empty shelves, spying neighbors, frequent and seemingly pointless interrogations to root out dissatisfied citizens – I had heard, seen, and read this plot many times.

The difference with Müller’s take on this story involves, lyrical, graceful, simple prose that lulls the reader into a false sense of “been-there, done-that.” I nearly gave up several times and even had to struggle to get through the last 40 pages as the descriptions became more detailed, more bizarre, and the mind of the un-named narrator becomes more and more disjointed. Then I read the last line: “The trick is not to go mad.”

So, like Kafka, and Lu Hsun’s “Diary of a Madman,” Müller’s novel relates the descent into madness as a result of paranoia of a dictatorship run wild with maintaining absolute power and control over its citizens. How close we came to that precipice! The novel is a warning. Unbridled police powers will inevitably lead to abuse and oppression.

With that last line – almost a Joycean epiphany – the novel made sense. It became harrowing, exasperating, and I understood completely how madness did result. 5 stars.

--Chiron, 12/31/09

The Day I Ate Whatever I Wanted by Elizabeth Berg

Around 1986, I took off for The New England Writer’s Conference in Boston. The conference was held at Simmons College near Fenway Park. John Updike was the keynote speaker, and his son David led a class in the short story. Those early days of my first attempts at writing drew me there for a chance to see and hear and meet John Updike and attend his son’s class.

Little did I know that another person I would meet would also have a lasting effect on my reading and writing life. One of the students in the class was a young woman who wrote tips for mothers of toddlers who read Parent’s Magazine. I believe she had just been appointed an associate editor, and was then writing a monthly column. Since then, I have avidly followed the career of Elizabeth Berg. She has written nearly 20 novels, a book of non-fiction, and adapted one of her novels for the stage.

While some might characterize her fiction as oriented toward women readers, I thoroughly enjoy the humor, the psychological insights, and the finely drawn characters in every one of her books.

I first received a copy of this work as an audio book through the early reviewer’s program of LibraryThing.com. Incidentally, this website is a great resource for readers and collectors. On a long drive, we listened to Elizabeth Berg read this collection. The strong women characters and their relationships, enthralled me from beginning to end. As soon as I could, I purchased a copy of the book, and re-read the stories, to savor them again. As you might expect, again I could hear Elizabeth’s voice. The actual reading allowed me to spend more time pouring over the finer pieces of prose Berg has written.

Most of the stories revolve around food and eating. In the title story, Berg wrote, “Here is my favorite recipe: Buy two boxes of Kraft macaroni and cheese. Make one box of macaroni but use both cheeses. Telling you this, I just remembered this woman I really liked a lot who died and she loved egg salad more than anything and didn’t eat it for years because it was bad for her and then when she was on her deathbed and could have anything she wanted, she was given an egg salad sandwich and she couldn’t eat it anymore” (11). This mixture of reflection and clever prose can be found on any page of this collection. I think I'll have another piece of chocolate.

The most poignant story, however, is “Rain.” This story tells about a platonic relationship between the un-named narrator and Michael, an old friend. Michael has invited her to see a house he has built himself in rural Massachusetts. With a certain amount of reluctance, her husband urges her to visit him. She remembers how she and Michael together when they were younger and reflects on why they never developed a close relationship. Berg writes, “I told myself it was because we were never between relationships at the same time, but I also sensed that, if I moved too close to Michael, I’d lose him” (77).

This remote cabin happened after Michael threw off the shackles that tied him to corporate America, and he opted for a Thoreauesque existence in the woods, replacing a pay check with odd jobs, making his own furniture, and growing his own food. The narrator thinks, “Seeing Michael’s place filled me with conflicting emotions. I was happy for him, glad he’d stood in the middle of his kitchen one random day and pulled the veil from his heart’s desire” (80). Lovely, lovely prose. All these stories are priceless nuggets of gold to polish over and over with slow re-reading.

During the class, I took a picture of all the students, and I promised Elizabeth – and the other students – I would not share those photos. I have kept my promise, and now I have a wonderful collection of her work, her voice, and her image from that class.

--Chiron, 12/28/09

Black Dogs by Ian McEwan

The normally reliable Ian McEwan has disappointed me in this peculiar and oddly constructed fifth novel published in 1992. I found the prose nearly as powerful as his later work, such as Atonement, Saturday, and Amsterdam, for which he won the Booker Prize, but Black Dogs left me unsatisfied at the end.

Jeremy lost his parents when he was a child, and began to have an inordinate amount of interest in the parents of friends, adopting them for his own. When he married, he continued this practice and became close to his in-laws. He takes on the task of writing a memoir of June, his dying mother-in-law. She recounts a pivotal event in her life involving three large, black dogs that threatened her when she was on her honeymoon in France shortly after World War II. Jeremy compares her account with that of his father-in-law, Bernard, and resolves the differences in a philosophical manner. He uses the incident to explain the world view of both, and the memoir becomes a meditation on the conflict between good and evil, rationalism and spirituality, thinking and action.

The novel is short – only 149 pages -- and that may be its principle flaw. McEwan tumbles over the waterfall in the barrel of his version and explanation of the event. I wish there was more meat on these bones to give me a better understanding of how he arrived at his conclusions.

I am glad I read this after his later work, so it has little effect on my opinion of this excellent writer, and I will work my way through his first four novels. 4 stars for the prose.

--Chiron, 12/24/09

Cold Mountain by Charles Frazier

My desert island shelf contains all my favorite books which I have encountered since I began reading decades ago. I would want these books if I could have no others.

Cold Mountain has a prominent place in this collection, since it is one of the most beautifully written novels I have read from the 20th century. Everyone who reads it has a favorite passage or line. My list of favorite lines includes dozens, but here are two examples of this wonderful author’s talent:

"All Inman remembered of another days march was the white sky and that sometime during it a crow had died in flight, falling with a puff of dust into the road before him, its black beak open and its grey tongue out as if to taste the dirt." (115).

Then, while Ada and Ruby, a local farm girl who comes to help Ada run the farm, take a walk on the property, Ruby points out animals and plants Ada never noticed.

"Off in the river stood a great blue heron. It was a tall bird to begin with, but something about the angle from which they viewed it and the cast of low sun made it seem even taller. It looked high as a man in the slant light with its long shadow blown out across the water. Its legs and the tips of its wings were as black as the river. The beak of it was black on top and yellow underneath, and the light shone off it with muted sheen as from satin or chipped flint. The heron stared down into the water with fierce concentration. At wide intervals it took delicate slow steps, lifting a foot from out the water and pausing, as if waiting for it to quit dripping, and then placing it back on the river bottom in a new spot apparently chosen only after deep reflection." (149-150)

On a long drive for the holidays, we listened to the author read Cold Mountain. This actually represented my third read of this lovely, intense, entrancing story. Ada Monroe, and her father, a preacher from Charleston, SC, move to Black Cove, near Cold Mountain, just west of Asheville in the days before the Civil War. This tiny, remote town is the opposite of Charleston with its mansions and society. Ada meets Inman, a local farmer, and the attraction is immediate and complete. Then the war breaks out. Inman gives Ada a tintype and promises to come back to her. We learn all this through numerous flashbacks, because the novel actually begins with Inman recovering from a almost fatal wound at the battle of Petersburg in Virginia. He is given up for dead, but he lingers on, and when nearly recovered – fearing a return to the front lines – walks away from the hospital. He heads back to Cold Mountain.

The chapters alternate between Inman’s difficult and epic journey home, and Ada’s attempt to survive alone after the death of her father. If you have never read this novel, you have missed a wonderful, enthralling treat, which you will return to again and again. 10 stars!

--Chiron, 12/31/09

The Chester Chronicles by Kermit Moyer

Only rarely does a book come along that allows me to instantly connect with its main character. I could probably name a half a dozen with chapters that rang true, but I cannot think of another novel which convinced me that my life – with all its foibles and peculiarities -- fit into the mainstream of 20th century America. In Kermit Moyer’s first novel, The Chester Chronicles, only the epilogue stands outside my experience. However, I know that experience lay all before me.

Chester Patterson’s birth occurred only a few years before mine. So we grew up during the 50s, attended college in the 60s, experienced the tragedy of November 22, 1963, learned to drive, dealt with the obsession for girls, and tiptoed through first experiments with our earliest heart throbs.

This novel is a Künstlerroman of the first order. Except for the clearly 20th century American idioms, it compares favorably with James Joyce’s A Portrait of the Artist as a Young Man. From the first pages, the reader recognizes this is a tale of Chester’s growth into an artist – a writer. Literary references abound in Chet’s college classes, his interactions and discussions with friends, and his attempt to make sense of the world.

His relationship with his father remained close until the final pages of the novel in most respects, but with a healthy dash of distance so common in those days. I especially appreciated the scenes of Chet’s father giving driving lessons, although, I must admit, my Dad yelled a bit more than his. Chet’s transgressions also paralleled mine – frightening while in the midst, but laughable even days later.

This novel should arrive in bookstores in February, 2010. Make a note. Pre-order a copy, camp out if you have to, but make sure you get this novel, and savor it as much as I did. 5 stars

--Chiron, 12/15/09

Brooklyn: A Novel by Colm Tóibín

I have a number of sources for discovering new writers. One fertile source is the Booker Prize, given annually to the best novel of the year. I have come to know many fine authors – Anne Enright, John Banville, and Ian McEwan to name a few. These prize-winning authors have given me many hours of pleasure, but the “also-rans” should not be neglected. One such author frequently short-listed for the prize is Colm Tóibín. Blackwater Lightship became my first experience with this wonderful Irish writer, who is currently a visiting professor at Princeton University. I have read three of his books, and Brooklyn represents a 180 degree shift from the tone and story-line of his previous works.

Eilis Lacey has just finished vocational school, and she has a knack for figures. She helps out in a small shop in Enniscorthy, Ireland. Eilis lives with her mother and older sister Rose. Unfortunately, she cannot find a permanent job in her town, so when a priest visits the Laceys, Rose tells him about Eilis’ plight. He offers to get her emigration papers for America, with a promise of a job and a room in a respectable boarding house. Eilis seems unsure, but she knows her options are limited, so she decides to take the plunge and leave the Olde Sod for the new world.

“New” is quite an understatement for Eilis. She finds herself on her own for the first time in a strange and wonderful land. She adapts well to her land lady, Mrs. Kehoe, and her roommates, who take her dancing. She makes new friends, and gets along well in her position as a counter girl at a department store. Set in the early 50s, she has all the innocence and sense of peace and happiness of that decade. A short bout of homesickness hardly slows her down at all.

Unlike some of his other work, Tóibín does not delve into the dark underside of life and its difficulties here. Rather, his warm prose weaves a serene tale of life in rural Ireland and Brooklyn, NY. Eilis matures quickly, and develops a relationship with young man she meets at a dance.

Tony is a gentleman in every sense of the word. On page 148 the first negative thing happens to Eilis. While walking Eilis home from her night classes, he spins a tale of American Baseball and his love for a particular team. Tóibín writes, “’You know what I really want ?’ he asked. ‘I want our kids to be Dodger fans.’ He was so pleased and excited at the idea, she thought, that he did not notice her face freezing.” Eilis is shocked at the speed Tony had pushed the relationship. As she does throughout the novel, Eilis turns the situation over and over in her mind, figuring from every angle how she should respond. When she does confront Tony, she does so perfectly. He understands, and he backs off.

The best thing about Tóibín’s novels, however, is what can only be described as lovely prose. Eilis returns to Ireland for a visit, leaving a distraught Tony behind. Eilis thinks of him often, but doesn't tell anyone. Tóibín writes, “not telling her mother or her friends made every day she had spent in America a sort of fantasy, something she could not match with the time she was spending at home. It made her feel strangely as though she were two people, one who had battled against two cold winters and many hard days in Brooklyn and fallen in love there, and the other who was her mother’s daughter, the Eilis whom everyone knew, or thought they knew” (226).

Don’t mistake this novel for a romance. It is a sensitive and detailed portrait of a young woman coming of age and dealing with many changes in her life. Will she go back to Tony? Or stay with Jim Farrell in Enniscorthy? I won’t tell. You will have to float through this beautiful novel to find out. 5 stars.

--Chiron, 12/7/09

A Moveable Feast: The Restored Edition by Ernest Hemingway

Part One: The Original

I love Paris in the summer, in the spring, and in the winter. Before each and every trip there, I re-read Hemingway’s great work on his years in Paris between the wars. When I heard about the restored edition, I could not wait to compare it to the version I know and love. First, I re-read the original.

This memoir never grows old. Someday I want to spend a long period of time in Paris, and wander through the streets and visit the cafes Hemingway mentions. Some of them I have sat in and watched the boulevardiers pass along with strolling musicians, magicians, and mimes. I always made time to have a drink at Aux du Magots – a favorite hangout of writers, artists, and philosophers. Montmartre, the artist’s quarter, also played a role in his story. I still love this book.

Part Two: The Restored Edition

Two chapters have been moved another two deleted and replaced with another two. Other than that not many changes to the book. A casual reader might barely notice the differences. The additional chapter on F. Scott Fitzgerald added another incident to that tragic life. The chapter entitled “The Education of Mr. Brumby,” Hemingway and Hadley’s son, was interesting, because it revealed something of Hemingway as the doting father.

The best part of the revisions, however, came in a collection of fragments not included in the earlier version. One involved Hemingway’s assignment to follow a young Canadian boxer fighting for the first time in France. Another involved numerous fragments of a preface, which he never finished. The stops and starts and restarts of these show an interesting insight into the process of writing. The introduction provides a history of the manuscript. Apparently, Hemingway worked on this while he was in Paris between the wars, then lost track of it until the late 50s. He was still revising the manuscript when he died in 1961.

As I said, one of my all-time favorites, and the new material hasn’t changed my mind about that. If you plan on visiting Paris, read it on the plane to France. Make some notes and visit some of the places which are still there, visit some new spots, and you can create your own “Moveable Feast.” 5 stars

--Chiron, 11/29/09

Be Happy by Monica Sheehan

My World Lit class gave me this little book the last day of class along with a thank you card. This is quite unusual, but the sign of good chemistry among dedicated students.

Happily, most of the sixty, simple line drawings and words of inspiration confirm my life style and things I do on a routine basis.

One of the pages says, "Read." Five stars

-Chiron, 11/20/09

A Christmas Carol by Charles Dickens

Another book I have often read, but this time I have a clearer purpose: I am reading it to a group of senior citizens as the entertainment portion of their annual Christmas banquet.

This book embodies what Annie Dillard meant in the paragraph I quoted from The Writing Life. This is literature, and the characters come to life – each time a bit different – but more than wonderful every time. It never grows old. It always has something I want and need – it exemplifies and justifies my reasons for reading.

Maybe I need a new shelf in my library. I will call it “Evergreens.”

--Chiron, 11/25/09 (Reading aloud 12/5/09)

The Writing Life by Annie Dillard

I read this book ages ago, and its quiet simplicity makes it one I return to again and again. If you like reading and writing, this slim volume will surprise and please you to no end.

Here is an example of Dillard’s delightful style: “Why would anyone read a book instead of watching big people move on a screen? Because a book can be literature. It is a subtle thing – a poor thing, but our own. In my view, the more literary the book -- the more purely verbal, crafted sentence by sentence, the more imaginative, reasoned, and deep – the more likely people are to read it. The people who read are the people who like literature, after all, whatever that might be. They like, or require, what books alone have” (19).

You need this book. You need to sit down some quiet afternoon and read it. Then, keep it close by and read it again when the fancy strikes you! 5 stars

--Chiron, 11/24/09

Windflower by Nick Bantock

Nick Bantock has a mysterious originality in his work. His series beginning with Griffin and Sabine, allowed the reader to peek into the private correspondence of a designer of stamps who lives in the South Pacific and an artist who lives in London. By “peek,” I mean that literally – some pages have envelopes pasted to the page, and the reader must lift the flap, remove the sheet and read the letter. Fascinating, thrilling, mysterious, and completely absorbing.

In Windflower, he has written a more conventional tale about Ana, a young woman forced into marriage for economic reasons by her parents. As the ceremony is about to reach its conclusion, a violent wind sweeps in, and Ana takes the opportunity to run away. Her grandfather has told Ana her destiny lies in another direction.

This adult fantasy has the feel of something placed in the middle ages, but a few times we are reminded it is firmly in the present, or at least the near past. Ana suddenly has a “torch” or flashlight, and she sees then flies in an airplane. His characters are as interesting and mysterious as the story itself.

Along with the wonderful mesmerizing prose, Bantock’s illustrations have a warmth and beauty all their own. His illustrations alone make his books collectible.

Except for some instances hokey, clichéd dialogue, an almost perfect piece of literature. 4-1/2 stars.

--Chiron, 11/22/09

The Humbling by Philip Roth

No one dissects, probes, and analyses a character’s angst, fears, hopes, and dreams like Philip Roth. This “three-act play” involves three stages in the life of Simon Axler, a well-known, well-respected actor of stage and screen.

This novella might compare well to an epic tale in the mold of Joseph Campbell’s theory of a hero’s journey. In Act One, Axler separates from his talent; in Act Two, a helper tries to smooth the path to the climax of the tale; and Act Three is the “return,” the denouement of his life. Roth has skillfully taken the reader on a close examination of the later stages of Simon’s life when all seems lost.

This work of fiction contains graphic scenes of sexually activity – in one case, the scene disturbed me a great deal. In another, only the most tender words and images found their way onto the page. Another scene perplexed me, but, at the same time, titillated me just a bit. These scenes are definitely rated NC-17. Roth always has some sexual activity in his novels, but these are more intense than most others he has written. I won’t offer a sample, but take my word for it – Philip Roth is a master of description, and his skills are nearly at the top in this tight, brief story. Four stars

--Chiron, 11/09/09

The Interrogation by J.M.G. Le Clézio

My second read by the 2008 winner of the Nobel Prize for Literature has as many peculiarities as Onitsha, which I read last year. I have little interest in detective novels or murder mysteries, but that does not mean I do not enjoy a good puzzler.

Le Clézio has provided me with a mysterious story of a young man in the form of experimental fiction with alternating narrators and viewpoints, gaps in the narrative with only brackets to mark the beginning and the end – sometimes a paragraph, and in one instance, more than a page. The 18 chapters are lettered from A through P, then R. A news paper, inserted after 17, fills in some of the details of the main character’s story, but bears no letter. Why did Le Clézio skip the letter Q? My first thought led me to think he wanted to write a novel without using the letter Q, but several words in “R” had that letter.

Adam Pollo, by his own admission, has either escaped from an insane asylum or deserted from the army – he is not sure. Adam lives alone in an empty house on the shore of the Mediterranean near Marseille. He spends a lot of time scrounging for discarded newspapers and magazines. Adam also writes letters in a notebook to a woman named Michelle. He seems to have some sort of relationship with her, but the details are as murky as the rest of Adam’s life, and as difficult as his relationship with his parents. He may have amnesia, he may be hallucinating, he may be depressed, he may be hypochondriac, he may be obsessive-compulsive, he may be a pack rat at best, or a disposaphobe at worst, and he may be schizophrenic. The eponymous interrogation in Chapter “R” may or may not eliminate some, or any, or all of these possibilities.

I can only describe Le Clézio’s prose as “hypermicrocosmic.” He doesn’t only mention Adam seeing his reflection in a store window, he sees “two eyes, one nose, one mouth, ears, a trunk, four limbs, shoulders and hips” (185). His descriptions verge on the hypnotic. At one point, Adam sees a young woman, and he notices her beauty: “she had the soft cheeks of a little girl in quite good health, nut-brown hair, and her best feature was a pair of full lips, not made up but very red, which were now parting silently so that a pearly drop sparkled in the middle of the warm cavity of her mouth; her voice would certainly flow from deep down in her throat and, with four vibrations in the upper vocal chords, put an end to that faint quivering at the corners of her mouth, complete the most recent of human apotheoses, half desire, half habit” (102).

One line particularly caught my attention. Le Clézio wrote, “He who writes is shaping a destiny for himself” (116). That line might need to be my new e-mail signature. If you enjoy a novel which requires heavy concentration, and if you enjoy deep and thorough psychological journeys in search of the self, then The Interrogation is a must read. 5 stars

--Chiron, 11/6/09

Homer & Langley by E.L. Doctorow

Twenty some years ago, my admiration for Doctorow rose to quite a high level, then, for some unknown reason, I lost touch with his work. I really enjoyed Ragtime, Welcome to Hard Times, and Lives of the Poets. While at an American Library Association Convention, I grabbed an advance reader’s edition of his latest work. Why I lost track of him is now an even a greater mystery.

Doctorow has a wonderful talent for telling interesting stories really well. Homer and Langley Collyer, real-life brothers, live alone in their childhood home on Fifth Avenue in New York City. Homer narrates the story, which takes place over the course of most of the 20th century. In this fictionalized account, Doctorow weaves numerous historical events into the lives of these fascinating characters.

Langley, a World War I veteran, suffers from the effects of a mustard gas attack in the trenches. His younger brother, Homer, suffers from blindness, which began when he was a child. Together, these two manage to survive the vagaries of big city life, including the inevitable problems with neighbors, the city, the press, and the police.

Homer, the much more perceptive of the two, provides lots of details about their life, loves, and philosophy. One particularly poignant revelation came from a discussion during World War II. Doctorow wrote, “So for a day or two I did feel as Langley felt about warmaking: your enemy brought out your dormant primal instincts, he lit up the primitive circuits of your brain” (90).

The two brothers also interact with a large cast of odd and disparate characters. One, a writer from France, who travels about America “trying to get” America so she can “understand it” (184-85) inspires the blind Homer (yes, I noticed that little detail) by urging him to write their story. She tells him, “You think a word and you can hear its sound. I am telling you what I know – words have music and if you are a musician you will write to hear them” (202).

This lyrical, interesting, engrossing novel never fails to delight. Rush out and get a copy – you won’t be disappointed! I liked this book so much, I went out and bought a hardcover copy this morning. Five stars

--Chiron, 10/23/09

Seducing the Spirits by Louise Young

I have a serious conflict regarding my opinion of this novel. Jenny, a graduate student in ornithology, travels to Panama to study eagles. She has contact with a group of native peoples known as the Kuna. The story held my interest, and I never thought of giving up, but I kept tripping over several things which lessened my enjoyment.

I saw four parts to this novel – each with strengths and weaknesses.

Jenny seemed an interesting and resourceful character, but her obsession with sex and romance did not fit the personality Young draws. Many parts of her narrative appeared frantic, as if she had to yell at the reader to get her point across.

Second, the missionary story troubled me. While I agree with the portrayal and Jenny’s attitude toward this slimy character, her response to, and fear of him puzzled me. Mysteriously, she also seriously misinterprets the reaction of the Kuna to his leaving.

Third, the jacket notes tell us Young wanted to write a “National Geographic style travelogue.” She seems to learn the customs of the Kuna haphazardly, almost accidentally, yet she becomes one of them. Her predecessor, Brian, warns her not to “piss off the natives,” and she becomes so worried about this advice, she jeopardizes her good relationship with the Kuna. She follows his advice, despite the fact she has a deep-seated skepticism about Brian.

Lastly, her job as an ornithologist and her status as a graduate student seemed the weakest part of the novel. Jenny is frequently bored and surprisingly ill-informed. Her use of language doesn’t fit a graduate student, since her speech is littered with clichés. She questions the species of the eagle she watches, and fears no one would believe her. Did she never hear of a camera?

I like realistic characters and situations in my novels, and these details bothered me. If you are not as picky as I am, and you like an interesting adventure/romance novel, I strongly recommend this first effort by Young. But for me -- Three stars

--Chiron, 10/19/09

Goldengrove by Francine Prose

My third read by Francine Prose bore some resemblance to Blue Angel, which was a disturbing book for an English professor to read. It involves a sexy, manipulative student who plunges an instructor into a world of chaos. Prose’s Reading Like a Writer, the first I read, had so much clarity and good sense, it drove me to her fiction. I foresee another dozen titles by Prose on my bookshelves.

The narrator, Nico, lives in an idyllic, lake-side cottage with her father, who owns a book store named Goldengrove, her mother -- a piano teacher -- and her sister, Margaret. Margaret has a secret life, and after a tragedy, Nico seems headed into secrets of her own. I felt the same sense of foreboding I experienced with Blue Angel while reading Goldengrove, but her spectacular, lyrical prose has an element of poetry in every line, and that alone drove me on to the tense ending.

I underlined numerous wonderful lines, for example: “Now we acted as if the tiniest pressure could shatter our eggshell selves” (84) and “That Sunday, that first Sunday in May, was so warm I couldn’t help wondering: Was it simply a beautiful day, or a symptom of global warming? Even the trees looked uncomfortable, naked and embarrassed, as if they were all simultaneously having that dream in which you look down and realize you’ve forgotten to put on your clothes” (2). Well, I have had that dream, and I know exactly how Nico feels in this scene.

This psychological portrait of a family dealing with loss calls to mind Tolstoy’s opening line of Anna Karenina. To paraphrase, all members of an unhappy family handle their unhappiness in different ways. However, this book never really strikes a sustained depressing note. 5 stars

--Chiron, 10/11/09

Bla Bla: 600 Incredibly Useless Facts by Fredrik Colting & Carl-Johan Gadd

Sometimes, the weather, the mood, the moment require an otherwise discriminating reader to pick up a piece of shear fluff. I felt like this yesterday after grading some really depressingly awful essays. This book was fun, and here are some of my favorites:

“In 1970, Soviet scientists tried to train cats to control robots. The attempt failed.”

No kidding.

“All polar bears are left handed.”

How did they determine this fact?

“The earth weighs about 5,924,000,000,000,000,000,000 metric tons.

Ditto, and why metric? Don’t they know the US is the last stubborn hold out for the English system? Time for a diet, no?

“There are over 500 recognized phobias. One of the most rare is sciophobia – the fear of shadows.”

Who knew? Is this how shadow boxing came to be invented? Does The Shadow know this?

“If a squid is extremely hungry, it can eat its own arms.”

I don’t even know what to say about this one.

“Kangaroos are lactose intolerant.”

Soy what? (So what?) Pun. Intended.

--Chiron, 10/4/09

That Old Cape Magic by Richard Russo

Many of us are lucky to have a friend who shares our love of books and is a reliable source for authors, novels, biographies, and good reads in general. Some of us are most fortunate to have two. I have three – four if you count NPR. Richard Russo came to my attention through all of my sources in his 1998 novel, Straight Man. Straight Man recounts the hilarious story of William Devereaux, the reluctant chair of an English Department of a small college in rural Pennsylvania. With an English Department, Pennsylvania, and humor going for it, what could possibly go wrong? Absolutely nothing – I became thoroughly hooked on Russo.

On the other hand, several of his other novels describe the struggles of life in the small towns of rust-belt America among blue collar workers and small business owners. Nobody’s Fool and Empire Falls were made into moderately successful films. This masterful writer always creates interesting, quirky, stubborn, and well-drawn characters. That Old Cape Magic has all of these traits, and it marks his return to academia as a back drop.

Jack and his wife, Joy, approach the final days of the semester so they can head out for an annual getaway to New England. Jack teaches English and Joy is a dean at the same college. Both try to untangle themselves – while protecting each other – from their respective families. Clearly this novel demonstrates that we are our parents’ children. Jack and Joy Griffin – yes, all the names do have a significance I will allow each reader to puzzle out alone – also have a daughter, Laura. Jack has to deal with his mother and deceased father, while Joy has a father, a deceased mother, and four siblings complicating their lives. All four parents have a secure and important place in the story.

One of the things I most enjoyed concerned Jack’s relationship with his students. Anyone who has ever taught English will understand and chuckle when Russo writes, Jack “offered his students far more comment and advice than they wanted, and the vast majority paid it exactly no attention whatsoever, given that their subsequent efforts were riddled with the same mistakes” (44). Jack also struggles with a career change he reluctantly accepted. This novel has images, ideas, words, and phrases that seem taken from my own academic life. Echoes and shadows of Straight Man.

The only problem with That Old Cape Magic stemmed from some imaginary conversations Jack has, and sometimes I had to stop and remind myself who was talking to whom. Nevertheless, a first-rate read, and this will send you scurrying for Straight Man and the other six novels he has written. 4-1/2 stars.

--Chiron, 9/28/09

The Geography of Bliss by Eric Weiner

A blurb on the title page describes this book as “One Grump’s Search for the Happiest Places in the World.” Doesn’t sound too exciting, and I admit I had some trepidation, but if ever the warning not to judge a book by its cover should be heeded, this one provides a perfect example.

Eric Weiner, a foreign correspondent for NPR, traveled the world visiting places indexed by a Dutch researcher as “the happiest places on earth.” For control, he visits one country near the bottom of the list. At each place he stopped, he gathered some clues as to what makes those inhabitants feel a certain level of euphoria about their country. One interesting feature of this journey concerns the wide variety of terms he uses to express happiness. Needless to say, he comes to some rather unusual conclusions. For example, Eric must have some personal bias toward chocolate, since it pops up over and over.

The delightful style of Weiner’s (pronounced “Whiner” he tells us) reminds me of so many detailed stories on NPR, although some of these might be rated PG-13. This wonderful book will make you want to pack up and head off to your idea of a happy place. Also, have your PC warmed up and ready to Google many of the places, food, restaurants, coffee houses, and museums he mentions. One member of our book club said Weiner needed pictures. She then proceeded to pass around a dozen or so images associated with the book. “Bliss” will give your reading group as much fun as ours had last night. 6 stars out of 5

--Chiron, 9/24/09

Cheever: A Life by Blake Bailey

Admirers and students of John Cheever’s fiction will find this biography engrossing, thoughtfully detailed, and sprinkled throughout with wonderful quotes from his family, friends, editors, peers, and even former teachers. For those not familiar with his novels and spectacular short stories, it may seem to plod and drag in spots. I have admired Cheever for over 35 years, and actually met him at his home in Ossining, NY. I wrote the following profile of John Cheever last year. I believe it tells much about the man and the writer.

The first obituary appeared in the June 19, 1982 edition of The Philadelphia Inquirer. The shock prevented me from reading it carefully, but one sentence leaped from the page: “Mr. Cheever called confinement ‘one of the principal themes of my work’.” That sentence percolated through my memories of our meeting and all his books I had read.

Several letters in 1978 and 1979 finally resulted in a meeting one chilly November day in 1979. John was dressed as if he were about to sit for another dust jacket photo – slacks, white button-down shirt, no tie, and bedroom slippers.

His desk was an ordinary dining room table and the room held floor to ceiling shelves overflowing with books in every possible space. They spread across the floor like a paper glacier. There wasn’t any wall space, but he did have several pictures hanging from shelves, which seemed as haphazard as the books on the floor.

According to the obit, John believed, that “discovering the liberties one can enjoy within the confinement of one’s own mortality is basically the nature of life on this planet.” His room was confining in a physical sense, but the pathways through books gave him the freedom to explore the universe.

John asked his wife for some tea, as he bulldozed the clutter to one side clearing room for a stack of treasures. As he sat in a rattan chair, he reached back into the clutter for a pen and tried several before he found one that wasn’t dry. “I have a thousand pens here, but not one in ten works.”

The cigarette that he lit in his frustration was a distant descendent of the one that got him expelled from Thayer Academy and provided the inspiration for his first published short story, “Expelled,” which appeared in The Nation magazine, which rarely, if ever, published fiction.

A golden retriever padded in slowly and put his head on John’s lap for the gentle stroking he expected and received. Just then, an obviously jealous cat jumped up into his lap and purred loud enough to drown the scratching of his pen.

John signed the books and talked about his fiction. The steam from the tea rose like the remnants of fog on the Hudson River just outside his window. The conversation wandered through Bullet Park, among the Wapshot family, and stopped at “The Enormous Radio,” a popular Cheever story.

His mind traveled over a landscape dotted with his characters’ families, their heartbreak and happiness. He remembered them all – treasures of his life, fondly recalled.

Clearly there was actual confinement in his life. His daughter, in an interview with The Philadelphia Inquirer on the publication of her biography of her father, Home Before Dark, published two years after his death, told of his “confinement” by alcoholism, bisexuality, and depression. Perhaps his novels and stories were a means to manage the imprisonment of “the nature of life on this planet.”*

The interview over, I sadly gathered the books. I wanted to stay and listen to this charismatic writer for hours, but I had intruded enough. As I walked down the driveway to my car, I turned and saw him waving one last time.

*Interview with Susan Cheever. The Philadelphia Inquirer. 2 Dec. 1984: 11K.

For those without a unique personal experience like this, the book will fill out the nooks and crannies of a man who lived a difficult life, yet added so much pleasure to so many of his readers around the world.

--Chiron, 9/30/09