A Moveable Feast: The Restored Edition by Ernest Hemingway

Part One: The Original

I love Paris in the summer, in the spring, and in the winter. Before each and every trip there, I re-read Hemingway’s great work on his years in Paris between the wars. When I heard about the restored edition, I could not wait to compare it to the version I know and love. First, I re-read the original.

This memoir never grows old. Someday I want to spend a long period of time in Paris, and wander through the streets and visit the cafes Hemingway mentions. Some of them I have sat in and watched the boulevardiers pass along with strolling musicians, magicians, and mimes. I always made time to have a drink at Aux du Magots – a favorite hangout of writers, artists, and philosophers. Montmartre, the artist’s quarter, also played a role in his story. I still love this book.

Part Two: The Restored Edition

Two chapters have been moved another two deleted and replaced with another two. Other than that not many changes to the book. A casual reader might barely notice the differences. The additional chapter on F. Scott Fitzgerald added another incident to that tragic life. The chapter entitled “The Education of Mr. Brumby,” Hemingway and Hadley’s son, was interesting, because it revealed something of Hemingway as the doting father.

The best part of the revisions, however, came in a collection of fragments not included in the earlier version. One involved Hemingway’s assignment to follow a young Canadian boxer fighting for the first time in France. Another involved numerous fragments of a preface, which he never finished. The stops and starts and restarts of these show an interesting insight into the process of writing. The introduction provides a history of the manuscript. Apparently, Hemingway worked on this while he was in Paris between the wars, then lost track of it until the late 50s. He was still revising the manuscript when he died in 1961.

As I said, one of my all-time favorites, and the new material hasn’t changed my mind about that. If you plan on visiting Paris, read it on the plane to France. Make some notes and visit some of the places which are still there, visit some new spots, and you can create your own “Moveable Feast.” 5 stars

--Chiron, 11/29/09

Be Happy by Monica Sheehan

My World Lit class gave me this little book the last day of class along with a thank you card. This is quite unusual, but the sign of good chemistry among dedicated students.

Happily, most of the sixty, simple line drawings and words of inspiration confirm my life style and things I do on a routine basis.

One of the pages says, "Read." Five stars

-Chiron, 11/20/09

A Christmas Carol by Charles Dickens

Another book I have often read, but this time I have a clearer purpose: I am reading it to a group of senior citizens as the entertainment portion of their annual Christmas banquet.

This book embodies what Annie Dillard meant in the paragraph I quoted from The Writing Life. This is literature, and the characters come to life – each time a bit different – but more than wonderful every time. It never grows old. It always has something I want and need – it exemplifies and justifies my reasons for reading.

Maybe I need a new shelf in my library. I will call it “Evergreens.”

--Chiron, 11/25/09 (Reading aloud 12/5/09)

The Writing Life by Annie Dillard

I read this book ages ago, and its quiet simplicity makes it one I return to again and again. If you like reading and writing, this slim volume will surprise and please you to no end.

Here is an example of Dillard’s delightful style: “Why would anyone read a book instead of watching big people move on a screen? Because a book can be literature. It is a subtle thing – a poor thing, but our own. In my view, the more literary the book -- the more purely verbal, crafted sentence by sentence, the more imaginative, reasoned, and deep – the more likely people are to read it. The people who read are the people who like literature, after all, whatever that might be. They like, or require, what books alone have” (19).

You need this book. You need to sit down some quiet afternoon and read it. Then, keep it close by and read it again when the fancy strikes you! 5 stars

--Chiron, 11/24/09

Windflower by Nick Bantock

Nick Bantock has a mysterious originality in his work. His series beginning with Griffin and Sabine, allowed the reader to peek into the private correspondence of a designer of stamps who lives in the South Pacific and an artist who lives in London. By “peek,” I mean that literally – some pages have envelopes pasted to the page, and the reader must lift the flap, remove the sheet and read the letter. Fascinating, thrilling, mysterious, and completely absorbing.

In Windflower, he has written a more conventional tale about Ana, a young woman forced into marriage for economic reasons by her parents. As the ceremony is about to reach its conclusion, a violent wind sweeps in, and Ana takes the opportunity to run away. Her grandfather has told Ana her destiny lies in another direction.

This adult fantasy has the feel of something placed in the middle ages, but a few times we are reminded it is firmly in the present, or at least the near past. Ana suddenly has a “torch” or flashlight, and she sees then flies in an airplane. His characters are as interesting and mysterious as the story itself.

Along with the wonderful mesmerizing prose, Bantock’s illustrations have a warmth and beauty all their own. His illustrations alone make his books collectible.

Except for some instances hokey, clichéd dialogue, an almost perfect piece of literature. 4-1/2 stars.

--Chiron, 11/22/09

The Humbling by Philip Roth

No one dissects, probes, and analyses a character’s angst, fears, hopes, and dreams like Philip Roth. This “three-act play” involves three stages in the life of Simon Axler, a well-known, well-respected actor of stage and screen.

This novella might compare well to an epic tale in the mold of Joseph Campbell’s theory of a hero’s journey. In Act One, Axler separates from his talent; in Act Two, a helper tries to smooth the path to the climax of the tale; and Act Three is the “return,” the denouement of his life. Roth has skillfully taken the reader on a close examination of the later stages of Simon’s life when all seems lost.

This work of fiction contains graphic scenes of sexually activity – in one case, the scene disturbed me a great deal. In another, only the most tender words and images found their way onto the page. Another scene perplexed me, but, at the same time, titillated me just a bit. These scenes are definitely rated NC-17. Roth always has some sexual activity in his novels, but these are more intense than most others he has written. I won’t offer a sample, but take my word for it – Philip Roth is a master of description, and his skills are nearly at the top in this tight, brief story. Four stars

--Chiron, 11/09/09

The Interrogation by J.M.G. Le Clézio

My second read by the 2008 winner of the Nobel Prize for Literature has as many peculiarities as Onitsha, which I read last year. I have little interest in detective novels or murder mysteries, but that does not mean I do not enjoy a good puzzler.

Le Clézio has provided me with a mysterious story of a young man in the form of experimental fiction with alternating narrators and viewpoints, gaps in the narrative with only brackets to mark the beginning and the end – sometimes a paragraph, and in one instance, more than a page. The 18 chapters are lettered from A through P, then R. A news paper, inserted after 17, fills in some of the details of the main character’s story, but bears no letter. Why did Le Clézio skip the letter Q? My first thought led me to think he wanted to write a novel without using the letter Q, but several words in “R” had that letter.

Adam Pollo, by his own admission, has either escaped from an insane asylum or deserted from the army – he is not sure. Adam lives alone in an empty house on the shore of the Mediterranean near Marseille. He spends a lot of time scrounging for discarded newspapers and magazines. Adam also writes letters in a notebook to a woman named Michelle. He seems to have some sort of relationship with her, but the details are as murky as the rest of Adam’s life, and as difficult as his relationship with his parents. He may have amnesia, he may be hallucinating, he may be depressed, he may be hypochondriac, he may be obsessive-compulsive, he may be a pack rat at best, or a disposaphobe at worst, and he may be schizophrenic. The eponymous interrogation in Chapter “R” may or may not eliminate some, or any, or all of these possibilities.

I can only describe Le Clézio’s prose as “hypermicrocosmic.” He doesn’t only mention Adam seeing his reflection in a store window, he sees “two eyes, one nose, one mouth, ears, a trunk, four limbs, shoulders and hips” (185). His descriptions verge on the hypnotic. At one point, Adam sees a young woman, and he notices her beauty: “she had the soft cheeks of a little girl in quite good health, nut-brown hair, and her best feature was a pair of full lips, not made up but very red, which were now parting silently so that a pearly drop sparkled in the middle of the warm cavity of her mouth; her voice would certainly flow from deep down in her throat and, with four vibrations in the upper vocal chords, put an end to that faint quivering at the corners of her mouth, complete the most recent of human apotheoses, half desire, half habit” (102).

One line particularly caught my attention. Le Clézio wrote, “He who writes is shaping a destiny for himself” (116). That line might need to be my new e-mail signature. If you enjoy a novel which requires heavy concentration, and if you enjoy deep and thorough psychological journeys in search of the self, then The Interrogation is a must read. 5 stars

--Chiron, 11/6/09

Homer & Langley by E.L. Doctorow

Twenty some years ago, my admiration for Doctorow rose to quite a high level, then, for some unknown reason, I lost touch with his work. I really enjoyed Ragtime, Welcome to Hard Times, and Lives of the Poets. While at an American Library Association Convention, I grabbed an advance reader’s edition of his latest work. Why I lost track of him is now an even a greater mystery.

Doctorow has a wonderful talent for telling interesting stories really well. Homer and Langley Collyer, real-life brothers, live alone in their childhood home on Fifth Avenue in New York City. Homer narrates the story, which takes place over the course of most of the 20th century. In this fictionalized account, Doctorow weaves numerous historical events into the lives of these fascinating characters.

Langley, a World War I veteran, suffers from the effects of a mustard gas attack in the trenches. His younger brother, Homer, suffers from blindness, which began when he was a child. Together, these two manage to survive the vagaries of big city life, including the inevitable problems with neighbors, the city, the press, and the police.

Homer, the much more perceptive of the two, provides lots of details about their life, loves, and philosophy. One particularly poignant revelation came from a discussion during World War II. Doctorow wrote, “So for a day or two I did feel as Langley felt about warmaking: your enemy brought out your dormant primal instincts, he lit up the primitive circuits of your brain” (90).

The two brothers also interact with a large cast of odd and disparate characters. One, a writer from France, who travels about America “trying to get” America so she can “understand it” (184-85) inspires the blind Homer (yes, I noticed that little detail) by urging him to write their story. She tells him, “You think a word and you can hear its sound. I am telling you what I know – words have music and if you are a musician you will write to hear them” (202).

This lyrical, interesting, engrossing novel never fails to delight. Rush out and get a copy – you won’t be disappointed! I liked this book so much, I went out and bought a hardcover copy this morning. Five stars

--Chiron, 10/23/09

Seducing the Spirits by Louise Young

I have a serious conflict regarding my opinion of this novel. Jenny, a graduate student in ornithology, travels to Panama to study eagles. She has contact with a group of native peoples known as the Kuna. The story held my interest, and I never thought of giving up, but I kept tripping over several things which lessened my enjoyment.

I saw four parts to this novel – each with strengths and weaknesses.

Jenny seemed an interesting and resourceful character, but her obsession with sex and romance did not fit the personality Young draws. Many parts of her narrative appeared frantic, as if she had to yell at the reader to get her point across.

Second, the missionary story troubled me. While I agree with the portrayal and Jenny’s attitude toward this slimy character, her response to, and fear of him puzzled me. Mysteriously, she also seriously misinterprets the reaction of the Kuna to his leaving.

Third, the jacket notes tell us Young wanted to write a “National Geographic style travelogue.” She seems to learn the customs of the Kuna haphazardly, almost accidentally, yet she becomes one of them. Her predecessor, Brian, warns her not to “piss off the natives,” and she becomes so worried about this advice, she jeopardizes her good relationship with the Kuna. She follows his advice, despite the fact she has a deep-seated skepticism about Brian.

Lastly, her job as an ornithologist and her status as a graduate student seemed the weakest part of the novel. Jenny is frequently bored and surprisingly ill-informed. Her use of language doesn’t fit a graduate student, since her speech is littered with clichés. She questions the species of the eagle she watches, and fears no one would believe her. Did she never hear of a camera?

I like realistic characters and situations in my novels, and these details bothered me. If you are not as picky as I am, and you like an interesting adventure/romance novel, I strongly recommend this first effort by Young. But for me -- Three stars

--Chiron, 10/19/09

Goldengrove by Francine Prose

My third read by Francine Prose bore some resemblance to Blue Angel, which was a disturbing book for an English professor to read. It involves a sexy, manipulative student who plunges an instructor into a world of chaos. Prose’s Reading Like a Writer, the first I read, had so much clarity and good sense, it drove me to her fiction. I foresee another dozen titles by Prose on my bookshelves.

The narrator, Nico, lives in an idyllic, lake-side cottage with her father, who owns a book store named Goldengrove, her mother -- a piano teacher -- and her sister, Margaret. Margaret has a secret life, and after a tragedy, Nico seems headed into secrets of her own. I felt the same sense of foreboding I experienced with Blue Angel while reading Goldengrove, but her spectacular, lyrical prose has an element of poetry in every line, and that alone drove me on to the tense ending.

I underlined numerous wonderful lines, for example: “Now we acted as if the tiniest pressure could shatter our eggshell selves” (84) and “That Sunday, that first Sunday in May, was so warm I couldn’t help wondering: Was it simply a beautiful day, or a symptom of global warming? Even the trees looked uncomfortable, naked and embarrassed, as if they were all simultaneously having that dream in which you look down and realize you’ve forgotten to put on your clothes” (2). Well, I have had that dream, and I know exactly how Nico feels in this scene.

This psychological portrait of a family dealing with loss calls to mind Tolstoy’s opening line of Anna Karenina. To paraphrase, all members of an unhappy family handle their unhappiness in different ways. However, this book never really strikes a sustained depressing note. 5 stars

--Chiron, 10/11/09

Bla Bla: 600 Incredibly Useless Facts by Fredrik Colting & Carl-Johan Gadd

Sometimes, the weather, the mood, the moment require an otherwise discriminating reader to pick up a piece of shear fluff. I felt like this yesterday after grading some really depressingly awful essays. This book was fun, and here are some of my favorites:

“In 1970, Soviet scientists tried to train cats to control robots. The attempt failed.”

No kidding.

“All polar bears are left handed.”

How did they determine this fact?

“The earth weighs about 5,924,000,000,000,000,000,000 metric tons.

Ditto, and why metric? Don’t they know the US is the last stubborn hold out for the English system? Time for a diet, no?

“There are over 500 recognized phobias. One of the most rare is sciophobia – the fear of shadows.”

Who knew? Is this how shadow boxing came to be invented? Does The Shadow know this?

“If a squid is extremely hungry, it can eat its own arms.”

I don’t even know what to say about this one.

“Kangaroos are lactose intolerant.”

Soy what? (So what?) Pun. Intended.

--Chiron, 10/4/09

That Old Cape Magic by Richard Russo

Many of us are lucky to have a friend who shares our love of books and is a reliable source for authors, novels, biographies, and good reads in general. Some of us are most fortunate to have two. I have three – four if you count NPR. Richard Russo came to my attention through all of my sources in his 1998 novel, Straight Man. Straight Man recounts the hilarious story of William Devereaux, the reluctant chair of an English Department of a small college in rural Pennsylvania. With an English Department, Pennsylvania, and humor going for it, what could possibly go wrong? Absolutely nothing – I became thoroughly hooked on Russo.

On the other hand, several of his other novels describe the struggles of life in the small towns of rust-belt America among blue collar workers and small business owners. Nobody’s Fool and Empire Falls were made into moderately successful films. This masterful writer always creates interesting, quirky, stubborn, and well-drawn characters. That Old Cape Magic has all of these traits, and it marks his return to academia as a back drop.

Jack and his wife, Joy, approach the final days of the semester so they can head out for an annual getaway to New England. Jack teaches English and Joy is a dean at the same college. Both try to untangle themselves – while protecting each other – from their respective families. Clearly this novel demonstrates that we are our parents’ children. Jack and Joy Griffin – yes, all the names do have a significance I will allow each reader to puzzle out alone – also have a daughter, Laura. Jack has to deal with his mother and deceased father, while Joy has a father, a deceased mother, and four siblings complicating their lives. All four parents have a secure and important place in the story.

One of the things I most enjoyed concerned Jack’s relationship with his students. Anyone who has ever taught English will understand and chuckle when Russo writes, Jack “offered his students far more comment and advice than they wanted, and the vast majority paid it exactly no attention whatsoever, given that their subsequent efforts were riddled with the same mistakes” (44). Jack also struggles with a career change he reluctantly accepted. This novel has images, ideas, words, and phrases that seem taken from my own academic life. Echoes and shadows of Straight Man.

The only problem with That Old Cape Magic stemmed from some imaginary conversations Jack has, and sometimes I had to stop and remind myself who was talking to whom. Nevertheless, a first-rate read, and this will send you scurrying for Straight Man and the other six novels he has written. 4-1/2 stars.

--Chiron, 9/28/09

The Geography of Bliss by Eric Weiner

A blurb on the title page describes this book as “One Grump’s Search for the Happiest Places in the World.” Doesn’t sound too exciting, and I admit I had some trepidation, but if ever the warning not to judge a book by its cover should be heeded, this one provides a perfect example.

Eric Weiner, a foreign correspondent for NPR, traveled the world visiting places indexed by a Dutch researcher as “the happiest places on earth.” For control, he visits one country near the bottom of the list. At each place he stopped, he gathered some clues as to what makes those inhabitants feel a certain level of euphoria about their country. One interesting feature of this journey concerns the wide variety of terms he uses to express happiness. Needless to say, he comes to some rather unusual conclusions. For example, Eric must have some personal bias toward chocolate, since it pops up over and over.

The delightful style of Weiner’s (pronounced “Whiner” he tells us) reminds me of so many detailed stories on NPR, although some of these might be rated PG-13. This wonderful book will make you want to pack up and head off to your idea of a happy place. Also, have your PC warmed up and ready to Google many of the places, food, restaurants, coffee houses, and museums he mentions. One member of our book club said Weiner needed pictures. She then proceeded to pass around a dozen or so images associated with the book. “Bliss” will give your reading group as much fun as ours had last night. 6 stars out of 5

--Chiron, 9/24/09

Cheever: A Life by Blake Bailey

Admirers and students of John Cheever’s fiction will find this biography engrossing, thoughtfully detailed, and sprinkled throughout with wonderful quotes from his family, friends, editors, peers, and even former teachers. For those not familiar with his novels and spectacular short stories, it may seem to plod and drag in spots. I have admired Cheever for over 35 years, and actually met him at his home in Ossining, NY. I wrote the following profile of John Cheever last year. I believe it tells much about the man and the writer.

The first obituary appeared in the June 19, 1982 edition of The Philadelphia Inquirer. The shock prevented me from reading it carefully, but one sentence leaped from the page: “Mr. Cheever called confinement ‘one of the principal themes of my work’.” That sentence percolated through my memories of our meeting and all his books I had read.

Several letters in 1978 and 1979 finally resulted in a meeting one chilly November day in 1979. John was dressed as if he were about to sit for another dust jacket photo – slacks, white button-down shirt, no tie, and bedroom slippers.

His desk was an ordinary dining room table and the room held floor to ceiling shelves overflowing with books in every possible space. They spread across the floor like a paper glacier. There wasn’t any wall space, but he did have several pictures hanging from shelves, which seemed as haphazard as the books on the floor.

According to the obit, John believed, that “discovering the liberties one can enjoy within the confinement of one’s own mortality is basically the nature of life on this planet.” His room was confining in a physical sense, but the pathways through books gave him the freedom to explore the universe.

John asked his wife for some tea, as he bulldozed the clutter to one side clearing room for a stack of treasures. As he sat in a rattan chair, he reached back into the clutter for a pen and tried several before he found one that wasn’t dry. “I have a thousand pens here, but not one in ten works.”

The cigarette that he lit in his frustration was a distant descendent of the one that got him expelled from Thayer Academy and provided the inspiration for his first published short story, “Expelled,” which appeared in The Nation magazine, which rarely, if ever, published fiction.

A golden retriever padded in slowly and put his head on John’s lap for the gentle stroking he expected and received. Just then, an obviously jealous cat jumped up into his lap and purred loud enough to drown the scratching of his pen.

John signed the books and talked about his fiction. The steam from the tea rose like the remnants of fog on the Hudson River just outside his window. The conversation wandered through Bullet Park, among the Wapshot family, and stopped at “The Enormous Radio,” a popular Cheever story.

His mind traveled over a landscape dotted with his characters’ families, their heartbreak and happiness. He remembered them all – treasures of his life, fondly recalled.

Clearly there was actual confinement in his life. His daughter, in an interview with The Philadelphia Inquirer on the publication of her biography of her father, Home Before Dark, published two years after his death, told of his “confinement” by alcoholism, bisexuality, and depression. Perhaps his novels and stories were a means to manage the imprisonment of “the nature of life on this planet.”*

The interview over, I sadly gathered the books. I wanted to stay and listen to this charismatic writer for hours, but I had intruded enough. As I walked down the driveway to my car, I turned and saw him waving one last time.

*Interview with Susan Cheever. The Philadelphia Inquirer. 2 Dec. 1984: 11K.

For those without a unique personal experience like this, the book will fill out the nooks and crannies of a man who lived a difficult life, yet added so much pleasure to so many of his readers around the world.

--Chiron, 9/30/09

Magic City by Yusef Komunyakaa

This dark and slightly grim collection of poetry had only a few poems that struck me as only a little more than interesting. Had this book not found its way onto a reading list for my class, I surely would not have stumbled onto those few poems I did enjoy.

One of my favorites, “The Whistle,” had some nice tone and diction that I did admire. Komunyakaa writes,

“The seven o’clock whistle
Made the morning air fulvous
With a metallic syncopation
A key to a door in the sky – opening
& closing flesh. The melody
Men & women built lives around,
Sonorous as the queen bee’s fat
Hum drawing workers from flowers,
Back to the colonized heart.

I find it curious he uses an ampersand and he capitalizes the first word of every line. It’s almost as if he did not know how to turn off the formatting function in Word, but the book was first published in 1992, so that can’t be the case.

Komunyakaa has won a number of awards, including a Pulitzer in 1994. That poetry like this can win such an award puzzles me. I guess my tastes in poetry run counter to that of all the prize-givers. Thumb through it in a bookstore before buying. See whose side you are in for this one – he must have a devoted following. 3 stars

--Chiron, 9/21/09

Beloved Infidel by Dean Young

My favorite poet is Billy Collins for three reasons: 1. simple language, 2. clever metaphors and images, and 3. a dash of humor along with some profound truths. His poem, “Shoveling Snow with the Buddha,” is my favorite of his works, and you can easily find it on line.

At the other end of the spectrum is Dean Young. He uses pretentious language – “cothurni” (boots) – which might be pleasing to his ear, but not to mine. He tortures words and leaves me with images I cannot fathom no matter how hard I try. In a recent interview on NPR, he was asked to explicate a line, and he said, "I have no idea what I meant." Tony Hoagland, a well-known scholar and poet, expressed a similar sentiment when when describing another poem by Young.

Poetry shouldn’t be a struggle. 2 stars for a handful of interesting lines.

--Chiron, 9/7/09

Allegheny, Monongahela by Erinn Batykefer

This pleasing volume of poetry arrived in the mail as part of LibraryThing’s early reviewer program. Unlike others in the series, this is not a galley, but a first edition.

Her first book of poetry, I have to say, hit at least a triple, and a few feet higher at that left fence would have made it a homerun. Most of the poems have sparkling language and great metaphors, but a few seemed strained to me. My favorite is “Sky with Flat White Cloud” inspired by a 1962 painting by Georgia O’Keefe. Several other poems had the same genesis. Batykefer writes,

“I remember us through a haze of white.
Flat clouds pressing down like summer,
the botanical gardens steaming.” (76)

Anyone familiar with O’Keefe’s work will recognize the clever melding of weather, the painting, and themes that run through many of her paintings. This painting is rather plain, with bands of white (a sandy stretch of desert without any vegetation?), then a band of yellow-green at the horizon, then layers of flat white clouds at the top. The painting feels like an oppressively hot, dry summer day, and Batykefer has captured that same feeling.

All her poems ring true like this. Only a few tortured lines cost her half a star. 4-1/2 stars.

--Chiron, 9/7/09

The English Major by Jim Harrison

I picked this book strictly for the title and the cover. I never heard of Jim Harrison, despite the fact that he has written over 25 books of poetry, fiction, and non-fiction. He has also won a Guggenhiem and is a member of the American Academy of Arts and Letters. Conspicuously absent are a Pulitzer, a PEN/Faulkner Award, and a National Book Award.

The story he tells holds a lot of interest for me, even though this is my third recent read involving aging teachers undergoing a mid/late-life crisis. Cliff’s wife Viv has left him for a high-school flame. As part of the divorce, she has sold their farm out from under him and turned him out. He takes his share of the divorce money, and hits the road. Along the way (from Michigan to Washington, down through California, Arizona, New Mexico, then back up to Montana and home to Michigan) he meets a variety of characters from his past and some new ones. While it is not riotously funny, it does have its moments with some sassy, snappy prose.

One thing that annoyed me was Harrison penchant for parenthetically explaining some pretty ordinary things. For example, he writes, “I had been a chaperone and driver for a bunch of 4-H (Head, Heart, Health, and Hands) kids going to a big meeting” (6). Later he provides the same service for “ADD (Attention Deficit Disorder)” (28). Maybe his teacherly hat fell down while he was typing.

A pretty decent road novel worth a couple of lazy afternoons. 4 stars

--Chiron, 9/3/09

A Year of Cats and Dogs by Margaret Hawkins

This rather interesting novel delves into the life of Maryanne, who has recently found herself abandoned by her “ex,” Phillip, and now lives alone with a dog, Bob, and a cat Clement. Maryanne is, to say the very least, an interesting character. She is strong, confident, reflective, and able to take care of herself -- after a fashion. While she is not the best housekeeper in the world, she does manage reasonably well.

Hawkins’s prose flows nicely in and around the vicissitudes of Maryanne’s life. The relationship has died, and she faces “death” in a variety of forms, handling each with a calm grace and an attitude that recognizes the inevitability of loss.

Numerous events in Maryanne’s life also involve food, and she supplies recipes for many of life’s turning points. All the recipes seem to include bacon, well-done, and crumbled into the recipe. The I-Ching also figures in the plot, as the 64 chapters each reflects a sentiment expressed by one of the 64 I-Ching tiles. As the author’s note tells us, the I-Ching has been around for several thousand years and advocates reflection and passive acceptance. Maryanne’s calm demeanor follows this spiritual guide.

Of course, her relationship with pets will appeal to anyone who has ever had the good fortune to accept an invitation to reside with a cat and dog. Maryanne has a special relationship with her “family” members, as the title suggests. Don’t miss out on this wonderful experience.

Permanent Press will publish this novel in October, 2009. Five Stars

--Chiron, 8/30/09

The Book of Light by Lucille Clifton

I found Lucille Clifton’s The Book of Light interesting, moving, and thought-provoking. Her simple language and clear, clever metaphors delighted the mind and the tongue. Many of her poems touched me personally. Clifton won numerous prizes and two Pulitzer nominations. She clearly deserves all her accolades, in my opinion.

The first poem in the collection which really struck me was “june 20.” Clifton wrote in lines 3-4,

“i will be born in one week
to a frowned forehead of a woman
and a man whose fingers will itch
to enter me.” (Clifton 12)

In a horrific image, the poet, as a fetus, knows what will happen after she is born. The “temporary joy” (line 14) will end because of looming tragedy.

Clifton marked her life, as portrayed in her poems, by tragedy. In “sam,” she moans in lines 12-14,

“oh stars
and stripes forever,
what did you do to my father?” (Clifton 14)

The next poem in lines 7-8, Clifton laments his passing into “the company / of husbands fathers sons (Clifton 15). So her father represents a double-edged tragedy for her – his abuse and his death.

Some of the sweet metaphors she uses include one in “thel.” When referring to her friend, the eponymous “thel,” she describes her as a “sweet attic of a woman” (16). This image conjures up a cozy place filled with memories. She packed so much into that one word, “attic.” Another example occurs in “further note to clark.” She refers to this man (Clark Kent, aka Superman) as a “tourist” – from another planet, but also she hints at a man who comes for a visit to her home, but never stays for long.

Interestingly enough, Clifton makes her title part of the first line numerous times, including “thel” (16) “she lived” (20) “if I should” (41).

Two poems that touched me personally were “move” (35-36) and “samson predicts from gaza the philadelphia fire” (37). I lived in Philadelphia when Wilson Goode, the first black mayor of the “City of Brotherly Love” bombed the house Clifton describes. I can still see the helicopter flying over the house, the satchel containing the explosive dropping, the strap waving like some crazed battle flag, as it hit a shed on the roof and exploded in flames. Only one woman survived the fire, and Clifton addresses the second of these poems to her.

In the first of these poems, “move,” I especially appreciate the repetition of the word move as a link between stanzas. “Move” was the name of the back to nature African cult which became the victims of a horrible police action. Each stanza ends with “away” then the link “move.” The final two lines she reverses this order with “move / away” (36). The terror and the horror these men, women, and children must have experienced clearly comes through in Clifton’s simple language.

If I had another 500 words, I could easily list another dozen poems of this thoroughly enjoyable collection. Clifton has all the things I admire in poetry: simple language, clear and concise metaphors, and grains of humor sprinkled through the tragedies she has seen in her life. Five stars

--Chiron, 8/27/09