Showing posts with label Bessie Head. Show all posts
Showing posts with label Bessie Head. Show all posts

Friday, November 29, 2013

Maru by Bessie Head



I recently reviewed the great Alice Walker novel, Temple of my Familiar.  In this novel, she mentions an African writer Bessie Head.  Most of the time, books and authors mentioned in novels are as fictional as the rest of the story.  I had never heard of Bessie, but something in Walker’s description piqued my curiosity.  I did a search and found numerous websites devoted to this important African writer. 

Bessie Head was born on July 6, 1937, in Natal.  She did not know her parents.  Her mother was a Scottish woman and her father was an unknown Black South African.  As a result of her mixed-race status, she suffered greatly from discrimination by Africans.  In January 1956, at age 18, Bessie received a teaching certificate. She immediately began teaching at the Clairwood Coloured School in Durban.  In June of 1958, she resigned to become a journalist in Durban.  After stints at few newspapers and magazines, she began her own newspaper, The Citizen, which promoted Pan-African views.  In 1964, she left South Africa for a teaching job in Bechuanaland Protectorate, in a village called Serowe.  In late 1965 she began writing seriously with financial help from some writer friends.

In early 1969, she suffered a mental breakdown and was briefly hospitalized.  Surprisingly, this setback had two helpful outcomes. First, the villagers who had resented her now accepted her as crazy and left her alone.  She became calm and creative once again.  A novel, Rain Clouds was published in New York and London, and it received excellent reviews.  With encouragement from new friends, and in a wave of creativity, she began a new novel, Maru, which was published to rave reviews in 1971.  Maru won numerous awards in Africa and Europe.  She had become Africa’s first great woman writer.  Unfortunately, she suffered another breakdown in late 1971 and was again hospitalized.

Once on the road to recovery, she started her most difficult book, A Question of Power. It is an autobiographical novel, using incidents from her early life as well as her recent nightmares.  A Question of Power appeared in October 1973 to immediate praise and acclaim.

A Question of Power is the first of her works I found.  This horrific tale of her breakdowns, nightmares, hallucinations, hospitalization was difficult to read, yet I found myself unable to put it aside.  Over the years I have read a few novels depicting mental illness, but Bessie Head’s work tops them all.  I frequently found myself stopping, reflecting, re-reading paragraphs, and shaking my head at the inhumanity among members of the human race.  This novel is not for the faint of heart.

Maru on the other hand, bears only scant comparison to Question.  This award-winning novel tells a story of an orphan, Margaret Cadmore, raised by a white Englishwoman.  Margaret is lonely, and she suffers discrimination by the dominant tribe in her village, the Botswanans, which considers Margaret and her people, the Masarwa, as “less than human,” “unable to think and reason,” and “so stupid the only blanket they have is to turn their back to the fire.” 


In an interview, Bessie said of Maru, “With all my South African experience, I longed to write an enduring novel on the hideousness of racial prejudice.  But I also wanted the book to be so beautiful and so magical that I, as a writer, would long to read and re-read it” (xii). 

Some of the Botswanans feel the winds of change coming.  Head wrote, “Should [Maru] bother to explain the language of the voices of the gods who spoke of tomorrow?  That they were opening doors on all sides, for every living thing on earth, that there would be a day when everyone would be free and no one the slave of another?” (49).

Enduring and magical are two apt words to describe this work.  Her lyrical descriptions of the people, the village, her friends – and those who fought against her – are as memorable as any novel I have ever read.  5 Stars

--Chiron, 11/9/13

Saturday, September 21, 2013

A Question of Power by Bessie Head




While reading Alice Walker’s A Temple of My Familiar, I noticed a couple of mentions of a South African writer, Bessie Head.  Normally, these references are part of the fiction, but what I read sounded authentic and vaguely familiar.  I was wrong about the familiarity, but Bessie Head was quite real indeed.

According to her website, “Bessie Amelia Head never knew her real parents: an unstable white woman and an unknown black man.  She was born and raised in apartheid South Africa.  There she suffered from poverty, racial segregation, and gender discrimination.  She also had to worry about her own "delicate nervous balance."  As a young woman she left South Africa to come to Botswana.  She lived the rest of her life in this country, mostly in Serowe.  Bit by bit she overcame her many formidable obstacles.  One of her passions was letter-writing; she corresponded with hundreds of people from many countries during her life.  At the end she was a famous writer known all around the world” http://thuto.org/bhead/html/biography/biography.htm#bbio

The site also revealed that Head spent at least two periods in a mental institution.  Her doctors diagnosed her with schizophrenia.  After reading this except, I began to grasp the enormity of the tale Bessie tells in her 1974 novel, A Question of Power.

I will say this right off – this was one of the most intense, moving, and horrific descriptions of mental illness I have ever read.  I have read a number of stories like this, which caused me varying amounts of disturbance.  For example, Lu Hsun’s chilling short story, “A Madman’s Diary.”  But those tales fail to even begin to approach the horror of Elizabeth’s life.

The novel contains numerous scenes of sexual encounters which may or may not directly involve the main character, Elizabeth.  After a while, I felt as though Elizabeth also suffered from what was once known as multiple personality disorder, but which the American Psychological Association now defines in DSM IVTR as “Dissociative Identity Disorder.  The symptoms include: The presence of two or more distinct identities or personality states (each with its own relatively enduring pattern of perceiving, relating to, and thinking about the environment and self); at least two of these identities or personality states recurrently take control of the person's behavior; the inability to recall important personal information that is too extensive to be explained by ordinary forgetfulness; and the disturbance is not due to the direct physiological effects of a substance (e.g., blackouts or chaotic behavior during Alcohol Intoxication) or a general medical condition (e.g., complex partial seizures).

Some pages I could barely get through; others I had to read and reread, and sometimes go over again to grasp the significance.  I frequently thought, “I can’t read anymore.”  But I kept coming back.  The middle of the novel described a lucid period in Elizabeth’s life, but it ends with another breakdown and an extensive period of hospitalization.

This wonderful section, of a relatively happy and peaceful sojourn in the village of Motabeng, depicted Elizabeth helping the local residents establish gardens to grow fresh vegetables.  This part of the story was filled with love, friendship, and compassion.  However, the entire novel suffered from poor editing.  I found dozens od spelling errors in the book.  Despite all this, I want to read more of Bessie Head.  Her award winning novel, Maru is on my radar, but A Question of Power will haunt me for quite a while.  5 stars

--Chiron, 9/15/13