Showing posts with label Richard Ford. Show all posts
Showing posts with label Richard Ford. Show all posts

Saturday, April 18, 2015

Rock Springs: Stories by Richard Ford



Quite a few years ago, a friend recommended Independence Day by Richard Ford.  It was the early days of my “Rule of 50,” so I decided to stop around page 23.  Then, recently, in an assignment in a graduate class, the novel loomed before me.  I had no choice but to claw my way through the nearly 500 pages of smallish font.  To my surprise, I engaged the character, Frank Bascombe almost immediately.  I began to see the character types Ford drew, and I quickly came to an understanding of his purpose in writing this story.  That fact that he reminded me of Richard Russo only added fuel to my reading.  Since then, I have been accumulating the rest of his works.

Rock Springs: Stories is an interesting collection of tales of middle America and the characters straddling the line between good and evil, love and hate, success and failure. Ford’s prose is simple and straightforward.  Most of the characters have a matter-of-fact attitude towards their situation.  In the title story, Earl and Edna are driving a stolen car across the country with their daughter Cheryl in the back seat.  The car breaks down, and they do worry about a state trooper stopping to help – but only for a minute or two.  They want to make it to the next town so they can steal a new car.

I really didn’t have one favorite story – I enjoyed them all equally.  However, I did enjoy this exchange between the narrator, Russ, and Arlene, his wife in the story titled “Sweethearts.”  “‘What do you think when you get into bed with me every night?  I don’t know why I want to know that.  I just do’ Arlene said.  ‘It seems important to me.’ // And in truth I did not have to think about that at all, because I knew the answer, and had thought about it already, had wondered in fact, if it was in my mind because of the time in my life it was, or because a former husband was involved, or because I had a daughter to raise alone, and no one else I could be absolutely sure of. // ‘I just think,’ I said, ‘here’s another day that’s gone.  A day I’ve had with you.  And now it’s over.’ // ‘There’s some loss in that, isn’t there?’ Arlene nodded at me and smiled. // ‘I guess so,’ I said. // ‘It’s not so all-bad though, is it?  There can be a next day.’ // ‘That’s true,’ I said. // ‘We don’t know where any of this is going, do we?’ she said, and she squeezed my hand tight. // ‘No,’ I said.  And I knew that was not a bad thing at all, not for anyone in any life. // ‘You’re not going to leave me for some other woman now, are you?  You’re still my sweetheart.  I’m not crazy, am I?’ // ‘I never thought that,’ I said.” (67-68).

Other stories involved sons reminiscing about their childhoods, a crotchety old man who finds children playing with fireworks bothersome, and some Native Americans trying to scratch a living in the plains of Montana.

These stories all please on different levels.  I found much empathy for the struggles of these “ordinary Americans,” and I wanted them all to get what they wanted.  I think you will find – as I did Richard Ford’s 1987 collection of short stories, Rock Springs, a most pleasing companion on a rainy afternoon.  5 stars

--Chiron, 4/12/15

Sunday, July 08, 2012

Canada by Richard Ford

Quite a few years ago, I heard a lot of buzz about Richard Ford. His novel Independence Day won a Pulitzer and a Pen/Faulkner Award. I have always been a bit skeptical about the Pulitzer for fiction – too often I have not liked their selection. I felt some of their picks relied on gimmicks and attempts – it seemed to me – intended to shock and break out of the usual conventions of the novel. Now, I am not against a bit of iconoclasm when it comes to novels, but I sense – on occasion – that rule breakers break rules simply for the sake of making a ruckus. That, added to a fragment of a review, turned me away from Ford.

Then, I found myself in a class which required me to read Independence Day, and to my surprise, I enjoyed the novel enough to give it four stars. That was the Spring of 2008. Since then, I have read and watched interviews, read a short story or two, and read some reviews of ID. When I saw Ford had a new novel, I decided to dive in head first.

Canada Is a sprawling story of a dysfunctional family and how that dysfunction can affect the lives of its members in a variety of ways. The story is narrated by the son, Dell, about 50 years later. Dell has a twin sister, Berner. The mother, “Neeva,” short for Geneva, has been disowned by her Jewish parents for marrying Bev Parsons, a World War II bombardier, who now flits from job to job. He was demoted and honorably discharged from the Air Force for his participation involving some stolen beef for the officer’s club. He continued this sort of shadowy activity in civilian life. Finally, faced with death threats over a beef deal gone bad, he takes desperate measures to save his family.

Ford’s prose is most notable for his attention to details. These really bring the characters, the settings, the situations to life. Ford writes, “[Dad] had brought home two bottles of Schlitz beer, and they’d each drunk one – which they didn’t regularly do. It made them playful, which was how our mother’d become with us while he was gone. She’d put on a pair of white pedal pushers that revealed her thin ankles, some flat cotton shoes, and a pretty green blouse – clothes we didn’t know she owned. She looked like a young girl and smiled more than she normally would’ve and held her beer bottle by its neck and drank it in small swallows. She acted affectionately toward our father and laughed and shook her head at silly things he said. A couple of times she patted him on the shoulder and said he was a card. (As I said, she was a good listener.) Though he didn’t seem any different to me. He was a man in a good humor most of the time” (73).

As the dust jacket tells us, when Berner and Dell were 15, their parents robbed a bank, but the plan did not rise to the level of perfection Bev assured Neeva it would. She fought against the idea, but in the end, she agreed to accompany Bev to the bank and drive the getaway car. This catastrophic even tore the family apart. Berner ran away to California, and Dell was taken by Neeva’s friend, Mildred to Canada to live with her brother.

The second half of the novel deals with Dell’s adventures in Fort Royal, a near ghost town in Saskatchewan. Eventually, Dell learns some lessons from his parents, and begins to make sense of them, his life, and his relationship with his sister.

Ford leaves lots of clues about the future of this family, and these are interesting. Ford is now in that hallowed group of my favorite authors. 5 stars

--Chiron, 7/5/12

Monday, November 10, 2008

Independence Day by Richard Ford

This review departs somewhat from my original format, in that I reveal more of the plot than usual. I read this book for a class I am taking for my MFA. I have pasted the analysis I wrote for the class.

Independence Day, by Richard Ford is the story of Frank Bascombe who decides on a father and son bonding trip over the 4th of July weekend. An interesting story, with lots of engaging, even if long-winded, characters.

Frank is an exasperating character. His marriage has failed, he has abandoned careers as a sportswriter, a short story writer, and after an attempted escape to France, he returns to try his hand at real estate sales in his home town of Haddam, NJ. During the period of about a week covered by the novel, Frank recalls, and has glancing encounters with, several acts of violence. A son has died years before, a colleague was brutally raped and murdered in a house she was showing in Haddam, and he arrives at a motel shortly after a tourist was shot and killed. Finally, the climax of the novel involves an attempted suicide by his son Paul who deliberately stands in front of a baseball pitching machine and is hit in the face by a baseball traveling at 75 MPH.

Frank doesn’t know what he wants. His marriage is over, but he clings to the hope he and his ex-wife will get back together by moving into the house they shared when married. He is trying to revive a failing romance with Sally, and most importantly, he is trying to rescue his son who is acting out as a result of the divorce and disapproval of his mother’s remarriage.

The “existence period,” Frank frequently references, is his way of “going through the motions.” The acts of violence are signs of how precarious life is in Frank’s view, and his helplessness in dealing with his son all point to the lost nature of his life. Frank Bascombe is not “independent” and he never will be. His life is entangled in false starts, false hopes, failures, and lack of a clear plan for his life and a relationship with his son.

The final paragraphs tell us Frank’s future will mirror his past. Ford writes, “There is, naturally, much that’s left unanswered, much that’s left till later, much that’s best forgotten. Paul Bascombe [his injured son], I still believe, will come to live with me for some part of his crucial years. It may not be a month from now or six. A year could go by, and there would still be time enough to participate in his new self-discovery.” The last sentence is also telling. I feel the push, pull, the weave and sway of others.”

Frank is floating in water way over his head. He does not know where he is headed, and barely where he has been, since he does not seem to have picked up much from his past life. Life, for Frank is an Independence Day parade, and all he can do is watch it go by. Four stars

--Chiron, 11/08/08